This Spotlight focuses on Suzanne Mayes, who started out thinking she would pursue the stars as an astronaut and wound up shining onstage instead!
Shari Barrett (SB): What would you like readers to know about your theatrical background?
Suzanne Mayes (Suzanne): I am what many call a “Unicorn” in LA: a true native Angeleno.
(SB): I am also a native Angeleno, both born and raised here, and no one has ever called me “Unicorn.” Not sure where that term came from as it must be new, but it certainly applies to me!
(Suzanne): It’s funny, because being a native Angeleno, I grew up in a city saturated by the industry, with kids who were child actors and the children of A-list celebrities, producers, and writers. But although I was active in school performances and loved singing (especially in choirs), pursuing acting as a career was the furthest thing from my mind.
I was a true Space Camp nerd who had dreams of becoming an astronaut. Interestingly enough – and perhaps the universe knew better than I did – I chose a college that was known for its sciences, but also, coincidentally, theatre: Carnegie Mellon University in Pittsburgh. During my freshman year while I was a Midshipman in the Navy ROTC program (I was a hardcore Top Gun fan, what can I say…), I auditioned for a Scotch’n’Soda student-run theatre group production of Into the Woods and was cast as Cinderella’s Stepmother. One show by Sondheim and that was it. I was hooked.
I eventually dropped out of ROTC and performed in every single Scotch’n’Soda musical production made while I was there. A quick fun fact about Scotch’n’Soda: their alumni include Stephen Schwartz, who penned and directed an early draft of Pippin while still a student there!) My junior year, I was lucky enough to study abroad in the south of France, and had the privilege to study Voice under the international opera star, Marion Sylvestre, and sing with the adult chorale at the prestigious National Music Conservatory of Avignon.
After graduating from CMU with double degrees in Professional Writing and French, I wanted another adventure overseas, so I took a position teaching English to kids in Taipei, Taiwan. Apparently, they noticed during our teachers’ orientation that I loved to perform and sing, and the English school I worked for hired me to be a host for a live TV show on TVBS (their version of NBC) as a sort of “edutainment” section of the show. I sang with a dancing pig I had to introduce as “my special friend, Perry the Pig” on every episode. It was campy, hilarious, and so much fun! A few months later, I accepted an opportunity to be part of a musical tour for the Disney World of English products and travelled all over Taiwan, performing in gorgeous 2,000 seat theatres for little kids. It was such a special time.
I came home to Los Angeles the next year and put my theatre and singing aside. For ten whole years I pursued another path in Hollywood – first working for literary agents, then in development on movies such as Coach Carter and Dreamer and on TV shows like One Tree Hill and What I Like About You before working for one of the major studios, Universal Pictures. Somewhere in that chunk of time, a few of my Scotch’n’Soda theatre friends from college moved out to LA and we had the brilliant idea to put together a musical again, like the old days, and I played the role of Sally Brown in Snoopy The Musical!!! which I also produced as a fundraiser for Downtown Dog Rescue. I am so proud that our production raised thousands of dollars for the animal rescue, and that “fun reunion” of mine made some real magic happen.
And of course, once back on stage, I was hooked again. Theatre has a way of doing that to you! I dove headfirst into a lot of local community theatre and 99-seat Equity shows, including two back-to-back productions of Gypsy (both Richard Israel’s LA Weekly-nominated run and then as Dainty June in Conejo Players’ production in Thousand Oaks), High Street’s Seussical as Gertrude McFuzz, and Oklahoma as Gertie at The Met Theatre.
I even got to work with one of my theatre idols, the fabulous Kay Cole (as in the original Chorus Line as Maggie) in a new musical called Reunion at the (now defunct) NoHo Arts Center Theatre.
I then joined The Whitefire Theatre in Sherman Oaks as a Company Member and participated in several productions a year, including their Dead Pilots Society”for which I was nominated for a Valley Theatre Award for Best Supporting Actress in the pilot Under Andrea written and directed by Emmy-winners Ken Levine and David Isaacs (known for some little tv shows called M*A*S*H and Cheers.) My last full musical run was playing Sarah in Company at The Morgan-Wixson Theatre in Santa Monica.
(SB): I remember that production and loved the way in which Kristin Towers-Rowles directed it. Here’s my review from March 2017 about that stellar production.
And just last year, I joined Group Rep Theatre in North Hollywood. But I have taken some time most recently to focus on my TV career, so my stage performances lately have been mostly smaller readings and on- night shows. The theatre, though, has always been where I feed my soul and find my family, and it is heart-breaking to see the impact of this pandemic on our theatre community.
(SB): What production(s) were you involved with when word went out it needed to immediately be either postponed or cancelled?
(Suzanne): As a newer member of Group Rep (GRT), I had been dipping my feet into play readings and one-night cabaret style performances, but my focus during the early part of this year was on TV’s pilot season, which for me means a lot of co-star auditions. So, I wasn’t in any of GRT’s mainstage productions at the time everything shut down. However, they did have their closing weekend of their dramatic play, In My Mind’s Eye and I am so glad I was able to see that gem of a show before everything went dark. But the other productions that were just revving up for rehearsals are all in limbo now.
I was fortunate to see a dear friend’s wonderful production of The Wild Party at the Morgan-Wixson Theatre for their final tech rehearsal and I was there when the cast stood on stage for bows and their board of directors came out to tell them all the sad news that they would not be opening that weekend. My heart broke for every single one of them who had poured their hearts and souls into their show that was ready to open the next day. I truly hope that they get their run when things start up again.
(SB): I was scheduled to see that production on opening night. Now I am also looking forward to seeing it when it can finally be brought back to the Morgan-Wixson stage. But what future productions on your schedule were affected by the shutdown?
(Suzanne): I was really looking forward to auditioning for Group Rep’s Spring / Summer musical production of Applause which is a show that is so rarely performed and has such fun music. I know our board has been in discussions about reworking the schedule, and I think there is a chance Applause may be pushed into 2021’s season, but I don’t know. And it’s so difficult now because none of us know when things will be open again; and once they are, will people be willing to go to the theatre? Is it going to be even harder to sell seats to shows? Will people be afraid to sit in a theatre audience after all this? I know every business and industry is having to re-think and re-plan their business models, and I think the world needs live theatre. But I don’t know how it’s going to happen for the smaller theatres who are struggling right now to stay afloat.
(SB): I wonder about that as well. As a theatre reviewer, I am not sure when I will feel safe about sitting in a crowded theater unless I can wear a mask and be at least 6’ from any other person. But for a small house, that will really cut into their ticket sales if they have to abide by those spacing restrictions, as well as provide masks and hand sanitizer for all patrons. And will the actors have to perform with face masks on, which I guess could work if they are doing Greek plays. It’s so up in the air right now, and I am doing my best to stay hopeful. But I don’t see how small theaters will be able to survive - and it scares me too.
(Suzanne): I truly hope we can weather this storm.
(SB): But for now, like all of us survivors in the theatre world, how are you keeping the Arts alive while at home by using social media or other online sites?
(Suzanne): I have done a few of the self-taped auditions and monologue challenges being presented by several casting directors who are taking the time to get to know fresh faces, which I think is really cool. Also, a small group of talented ladies from my theatre company have been meeting almost weekly on Zoom to do private readings of plays. It’s been a fun way to reconnect and to look at material we weren’t previously familiar with that are female-driven, hoping we discover an amazing gem that we can present to the theatre company down the road for a future season’s production. And then there is my regular weekly acting class, which has shifted to Zoom, so I have been keeping up with that group as well to keep my craft in shape and stay ready for when things pick back up again.
(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?
(Suzanne): Stay home if you are non-essential and have the ability to do so, and wash your hands often. I think there is this huge pressure to be super uber-productive as an actor right now, but honestly, we are in a pandemic – this is *not* normal life. It’s okay to feel icky and not have the energy to do the self-tapes and so forth. They are there if you want those activities and are someone who needs constant projects, but there is absolutely nothing wrong with taking the time to do what is best for *you* and to care for yourself. Please, please go easy on yourself. And be kind. We can all be kinder to our neighbors. Check in on those who are struggling. Please reach out to a friend if you yourself are struggling. To steal Sondheim’s words, “You are not alone. No one is alone.”
I am including some links to donate to some local theatres close to my heart. If you are able to donate, it would greatly help them out:
Lastly, I send out a special thank you to all of our First Responders – especially all those in healthcare and those who are making sure we have food in our supermarkets, and to all the parents and teachers out there who are home-schooling their kids on top of everything else -- you are all heroes!
Rest your feet after all that shopping, get out of that L.A. holiday traffic for a few hours, and slip into a cozy theatre or concert venue during the Holidays!
Los Angeles theatre is alight with dozens of musicals, comedy, cabaret, magic, live radio plays, film and live mash-up productions, classic Dickens, music, dance, variety, and family-friendly shows themed to get you into the spirit of the season.
Here's is a healthy collection of shows available now and until you are just about ready to ring in the New Year.
ENSEMBLE THEATRE COMPANY (ETC) presents the second show of its 2019-20 Season, the can’t-miss, holiday event of the season, IT’S A WONDERFUL LIFE: A LIVE RADIO PLAY, adapted by Joe Landry, from the screenplay by Frances Goodrich, Albert Hackett, Frank Capra & Jo Swerling and directed by ETC’s Director of Education and Outreach, Brian McDonald.
Actors Co-op Theatre Company is proud to present the Los Angeles premiere of a new adaptation of Miracle on 34th Street: A Live Musical Radio Play, based on the 1947 Lux Radio Hour, adapted by Lance Arthur Smith, original songs and arrangements by Jon Lorenz, directed by Joseph Leo Bwarie.
"Miracle on 34th Street" brings a heartwarming and classic tale of faith, love, and the gift of miracles to the holiday season, featuring live Foley effects and a score of holiday carols this beautiful story is sure to ring in Christmas for all. OVATION RECOMMENDED PRODUCTION!!! At the Actors Co-op David Schall Theatre.
A Christmas Carol: The One-Man Play - The Porters of Hellsgate Theatre Company presents Charles Dickens' A Christmas Carol: The One-Man Play, directed by frequent Porters collaborator Drina Durazo. "Charles Dickens was known for being a performer of his own works; his novels were written with such vivid theatricality that they were almost like plays," says Durazo. "We're aiming to recreate the experience of Dickens' public recitals with a A Christmas Carol, The One-Man Play, and it's been a great joy exploring this beloved classic by way of Krieger's dynamic performance."
Having most recently taken on the roles of Theseus in The Two Noble Kinsmen and director of Romeo and Juliet, Associate Artistic Director Gus Krieger portrays over thirty characters in this telling of Dickens' classic tale. Having assumed iconic roles for the company including Richard III, Shylock, Benedick, and King John, Krieger is thrilled to return to the boards of North Hollywood.
A Los Angeles holiday tradition is back with some show veterans for just a few dates in a special engagement! It’s a Wonderful Life: The Radio Play takes place at KAWL, a struggling 1940s radio station that good-hearted owner Michael Anderson is barely keeping alive. He calls on some old friends (with big personalities) and some less-than-professional station employees to offer up a live radio version of Frank Capra’s touching masterpiece It’s a Wonderful Life in what might sadly be the station’s last live show. But it’s the holidays, a time when miracles can happen…
TROUBADOUR THEATER COMPANY continues its 25th SILVER ANNIVERSARY SEASON with "A CHRISTMAS CAROLE KING." Musical Direction by Derrick Finely, Directed and Adapted by Matt Walker, in a limited Engagement opening Friday, December 13, 2019, at The El Portal Theatre in North Hollywood!
For their 18th annual holiday offering, The Troubies have combined the soulful sounds of songstress Carole King with one of the most enduring stories of our time – Charles Dickens’ “A Christmas Carol” – and the result is SO FAR AWAY from what you'd expect!
Charles Dickens' classic Christmas tale, A Christmas Carol, at A Noise Within, Directed by Geoff Elliott & Julia Rodriguez-Elliott.
ANW’s delightfully festive, musically merry holiday tradition returns! Families love the inspirational story of Bob Cratchit, Tiny Tim, and Scrooge—the perfect burst of boundless good cheer for the season, and beyond!
“Only a die-hard humbug could remain unmoved by so charming a yuletide treat.” – Los Angeles Times
A Christmas Carol at South Coast Repertory. This is the 40th year for the beloved Orange County holiday classic—and marks the final time that Hal Landon Jr. will portray everyone’s favorite curmudgeon, Ebenezer Scrooge. Nineteenth-century London comes to life when your family joins the SCR family for the holidays. Recapture the spirit of an old-fashioned Christmas with this timeless Dickens classic and all your favorite characters—Tiny Tim and the Cratchit family, the Fezziwigs, the Ghosts of Christmas past, present and yet-to-come. No children under the age of 6, please.
Instead of performing Charles Dickens' beloved holiday classic for the umpteenth time, actors decide to perform every Christmas story ever told -- plus Christmas traditions from around the world, seasonal icons from ancient times to topical pop-culture, and every carol ever sung. A madcap romp through the holiday season! An outrageous holiday romp for the whole family (except those who still believe in Santa!) Written by Michael Carleton, James FitzGerald and John K. Alvarez. Music by Will Knapp. Directed by Gary Lamb. Musical director: Sean Paxton.
Yippie ki yay, theatre goers! We're settling the debate, once and for all. Yes, "Die Hard" is a Christmas movie. But when John McClane meets Ralphie from "A Christmas Story," let's just say more than just your eye might get shot out! What better way to end the year than by mashing up classic Christmas movies like "It's a Wonderful Life" with characters from some of your favorite "Not A Christmas Movie" movies like "Batman Returns?" Mix in a few iconic movie props, a team of talented writers, directors and actors and let the holiday drama and hi-jinks ensue! The way only our RUSH play festival can! Great for the whole family!
Written by Tyler Bianchi, Evan Baughfman, Jeff Folschinsky, Holly Sidell, Samantha Grace, Adam Neubauer, Samantha & Lilia Marquis, Directed by Jonathan Fahn, Jennifer Novak Chun, Holly Witham, Corey Chappell,
Randy Marquis, Tom Jones & Stacy Ann Raposa. At the Actors Workout Studio.
Developed in the Antaeus Playwrights Lab, Eight Nights is the heartfelt, lyrical portrait of a German Jewish refugee haunted by her past...witnessed over the course of generations of the same family that inhabits a single apartment from 1949 to 2016. Set during the eight nights of Chanukah, and spanning eight decades of the protagonist’s life, Eight Nights weaves together heart-aching moments with life-affirming humor to call out the trauma experienced not only by concentration camp survivors, but by African American descendants of slavery, by interned Japanese Americans, and by current victims of war in Africa and the Middle East.
Dysfunctional Family Christmas - Misunderstandings, Mistaken Identities, and Holiday Chaos create a fun-filled Christmas Morning at the Logan Home.
Before they sell the family home, Dean and Joanne Logan want one perfect final Christmas with their adult children. Although, once Grandpa is found dead, their plans go haywire as they attempt to hide the body from the family.
"A sardonic, merrily subversive tale—just the antidote to bright-eyed joy before too many shopping days have passed. Worth more than a photo album full of Santas!" NY Newsday. When it was first broadcast on National Public Radio, The SantaLand Diaries generated more requests for tapes than any story in This American Life’s history except the death of Red Barber. Timothy Olyphant brought the story to life on stage off-Broadway, and for the fourth year in a row Patrick Censoplano dons the candy-cane tights for a Santa Monica Playhouse holiday celebration in this outrageously funny one-man play from NPR’s well-loved humorist David Sedaris about the author’s experiences as an unemployed writer taking a job as an elf at Macy’s department store in New York City, taking a wry look at how the holiday season brings out the best – and the worst – in us all. Toast the Holidays! Your ticket includes a pre-show glass of champagne or non-alcoholic eggnog.
The story of Sugar Plum Fairy, based on Loh’s original tale on This American Life, follows a 12-year-old Sandra and her over-the-top dream of landing the lead in the inevitable dance school production of The Nutcracker. Loh and friends are pitted against the vicious hierarchy of desirable roles in this well-weathered ballet, while she desperately yearns to be recognized as a pre-teen queen in her own right. The play features Shannon Holt and Tony Abatemarco in a rotation of quirky characters from her misfit friends to a rigid Russian ballet instructor, as well as being co-conspirators in spreading some literal holiday cheer around the theater. Wittily set to a classical music score (a la Disney’s Fantasia’s hippopotamus ballerinas), Sugar Plum Fairy is knitted together with moments of audience participation, and attendees are encouraged to dress in their most festive outfits, prepare for sugary showers of candy, and get photos for the ‘gram with Yuletide-themed set designs that include reindeer, an animatronic Santa, and even, if you’re lucky, Frosty the Snowman.
Sixteen actors play nearly 30 characters in a holiday spectacular that will put you in a festive mood! A play-within-a-play, this fast-paced comedy follows a small, LGBTQ+ community theatre as it struggles to pull together its annual holiday pageant.
Written by Joe Marshall, directed by Bree Pavey. The cast will feature (in alphabetical order) Cassandra Carmona, Matt Caudel, Noah Copfer, Andrew Cottrell, Madylin Sweeten Durrie, Dan Ellis, Javier Flores, Barbera Ann Howard, Sean James, Corey Klemow, Katy Laughlin, Ignacio Navarro, Alejandro Baquero Sanchez, Scottie Smith, Luke Sookdeo, and Bart Tangredi.
Rubicon Theatre audiences are invited to “rejoice and be plaid” this holiday season as Ventura’s non-profit professional theatre company presents the hilarious and heartwarming musical comedy PLAID TIDINGS in Ventura’s Downtown Cultural District. The production is directed by the original creator STUART ROSS, and the cast for PLAID TIDINGS includes SEAN BELL, ADOLPHO BLAIRE, JOSHUA DAVID CAVANAUGH and ZACHARY EDWARDS, all making their Rubicon Theatre debuts. The show includes holiday favorites such as “Cool Yule,” “Let it Snow,” and “Joy to the World”; a hysterically funny speed-date version of “The Ed Sullivan Show” featuring the Rockettes, the Chipmunks and The Vienna Boys Choir; and other memorable hits from the era, like “Sh-Boom,” “Fever” and “Hey There.”
The Los Angeles Times called PLAID TIDINGS “a many splendored thing.” Variety described the show as Musical utopia…the perfect show. And the Daily News called the show “heaven-sent holiday fare.”
“SANTASIA - A Holiday Comedy” created by Shaun and Brandon Loeser, directed by Shaun Loeser, is celebrating its 20th year. At the Whitefire Theatre, this Off-Broadway Hit and Critics’s Pick laugh out loud annual holiday romp, is the perfect blend of Yuletide snark and sentiment, and has been compared to "The Carol Burnett Show", "The Kids in the Hall", "In Living Color", "Saturday Night Live" and Vaudeville. This multi-media holiday special has it all including classic Rankin and Bass Claymation inspired movies, musical parodies, and heartfelt holiday moments.
The Wallis & For The Record’s biggest, record-breaking hit returns this holiday season! The multimedia concert celebration of one of the most beloved holiday films of all time is back by popular demand, now as a not-to-be-missed Los Angeles tradition. The team behind LA’s award-winning series For The Record transforms The Wallis’ Bram Goldsmith Theater into an immersive cinema, where the modern classic written by Richard Curtis is reborn as a revolutionary stage and screen event. To tell the story, the film and live action seamlessly intertwine throughout the London setting. Iconic scenes on screen share the stage with an all-star cast of singers and a 15-piece orchestra, as they reimagine the film’s hit soundtrack including “Christmas is All Around” and “Trouble With Love." Love Actually Live is a first-of-its-kind, theatrical cinema experience.
WARNING: This production features theatrical haze effects, adult content, and brief nudity. It is recommended for ages 13+.
The San Fernando Valley Master Chorale is excited to bring back one of the most anticipated concerts of the season, our annual holiday sing-along concert! Joining us on stage this year will be the delightful San Fernando Valley Youth Chorus, under the direction of Sean Carney.
Led by Artistic Director Charlie Kim and accompanied by Bob Remstein, expect to hear your favorite holiday classics along with John Rutter's "Gloria" accompanied by a brass quartet. And lots of audience participation! Join us for a night filled with fun, music, and holiday cheer for the whole family. All ages are welcome.
Ugly Sweater Contest: Oh, and don't forget to bring your ugly sweater! This year SFVMC will give away free tickets for a future concert to the audience member who brings the ugliest holiday sweater.
The Merry Little Christmas Show - BroadwayWorld Critics’ Pick and StageSceneLA Award-winner Scott Dreier, star of last season’s acclaimed hit "Doris and Me," returns to The Colony Theatre with his holiday concert. Featuring special guest Kurtis Simmons and music director Andy Langham. Dreier will take audiences back to the feel of cherished, classic, holiday TV specials hosted by Perry Como, Andy Williams, Bing Crosby, Dean Martin, and others — paying homage while also providing his modern take with pop and jazz interpretations of holiday treasures. The performance will include holiday classics including "Sleigh Ride," "Have Yourself a Merry Little Christmas," "O Holy Night," "I’ve Got Your Love to Keep Me Warm," "Merry Christmas Darling," and many more. This show will transport you back to your living room sitting around the fireplace telling stories and sharing songs of the season.
How did a nice Evangelical Christian girl from Arizona wind up doing a one-woman comical cabaret show at Jewish Women’s Theatre (JWT) in Santa Monica? Audiences will laugh and maybe even sing along, as they learn the secrets of Anna Abbott’s dual life in her new solo show, "A Very Goyisha Hanukkah," playing two performances only at The Braid, JWT’s art and performance space.
The Group Rep presents A Twisted Christmas Carol, a world premiere comedy written by Phil Olson, directed by Doug Engalla, produced by Alyson York, a Texas-style spoof of Charles Dickens’ “A Christmas Carol.”
Talk-backs are after Sunday shows 12/21 and 01/04. Upstairs at the Group Rep on the second floor of the Lonny Chapman Theatre, 10900 Burbank Boulevard, North Hollywood 91601. The Upstairs venue is not handicapped accessible.
The Eight: Reindeer Monologues by Jeff Goode, Directed by Jerry Pilato & Erica Livingstone
Santa's Reindeer Tells All! With each deer's confession, the truth behind the shocking allegations becomes clearer and clearer and seems to implicate everyone from the littlest elf to the tainted Saint himself. Don't miss this expose of North Pole Naughtiness.
Starring David Janisch as Dasher, Eric Trigg as Comet, Christine McCoy as Dancer, Andrew Walters as Hollywood (Prancer), Mclain Parker as Cupid, Melanie Mino as Blitzen, Michael Adler as Donner and Kellen Gold as Vixen.
Emmy Award-winner Leslie Jordan returns to Catalina Jazz Club with his hilarious holiday show "Deck Them Halls, Y’All" for one performance only. Best known for his stand-out roles in "Sordid Lives," "American Horror Story," "The Help," as the beloved Beverley Leslie on "Will & Grace" (for which he is currently shooting the final season), and most recently as Sid on the Fox series "The Cool Kids," Leslie Jordan has charmed fans for over four decades.
His hilarious holiday tales are not to be missed. Jordan’s special guest will be country-pop singer Brandon Stansell.
Los Angeles Times calls Impro Theatre “Amazing!” One of the funniest evenings as the troupe spins an entire play into comedy gold right before your eyes. Starting with an audience suggestion, the troupe creates completely improvised, full-length plays in the styles of the world’s greatest writers. Join us this holiday season for a hilarious comedy inspired by the works of Charles Dickens. Comic portrayals, cruel melodrama and heartbreaking tenderness explode onto the teeming streets of Victorian London. A fun and festive evening of comedy.
Laguna Playhouse brings back its holiday tradition! A Special, Stripped Down to the Abs, Musical Event! "The Skivvies: I Touch My Elf" at Laguna Playhouse in Laguna Beach!
With Special Guest Appearances by Broadway’s Nick Adams, jackbenny and more! Ho, Ho, Ho, you don’t want to miss this show!
Broadway stars Lauren Molina (Rock of Ages, Sweeney Todd) and Nick Cearley (A Midsummer Night’s Dream, All Shook Up) return to the Laguna Playhouse for two nights of the most outrageous holiday show of the season. This undie-rock, comedy pop, award-winning duo perform stripped-down, mashed-up versions of holiday favorites and more. Expect to see ukulele, electric cello and an array of zany instruments.
BenDeLaCreme and Jinkx Monsoon are back in an all-new two-queen holiday extravaganza at The Montalbán!
After last year’s wildly successful "To Jesus, Thanks for Everything," Jinkx and DeLa return to the stage this holiday season in a high-spirited scramble to maintain your interest! DeLa is all sugar and Jinkx is all spice — but how do these two very different gals deal with the stress of the holidays? A little song, a lot of eggnog, and theatres full of people looking at them. Yup ... all they want for Christmas is attention!
Returning to Hollywood by popular demand, platinum-selling recording artist and Tony Award-nominated actor Sam Harris brings his new holiday show to Catalina Jazz Club for one performance only. Led by his longtime musical director Todd Schroeder, Harris will perform Broadway, pop, and holiday fare.
The Theatre School @ North Coast Rep presents "A Charlie Brown Christmas" by Charles M. Schulz, based on the television special by Bill Melendez and Lee Mendelson Stage Adaptation by Eric Schaeffer, and by Special Arrangement with Arthur Whitelaw and Ruby Persson.
When Charlie Brown complains about the overwhelming materialism he sees among everyone during the Christmas season, Lucy suggests that he become director of the school Christmas pageant. Charlie Brown accepts, but this proves to be a frustrating endeavor. When an attempt to restore the proper holiday spirit with a forlorn little Christmas tree fails, he needs Linus’ help to discover the real meaning of Christmas.
The Nutcracker from critically acclaimed Inland Pacific Ballet,celebrating 25 years. The Nutcracker comes to life with this magnificent ballet comprised of beautiful sets, dazzling costumes, and more than 80 dancers on stage. The Nutcracker tells the story of a young girl who receives a magical nutcracker doll on Christmas Eve and sets out on a wondrous journey to the Land of the Snow and the Kingdom of Sweets. Toy soldiers, life-sized dancing dolls, and a fantastic dream with battling mice, dancing snowflakes, waltzing flowers, and the delightful Sugar Plum Fairy stir the imagination. Meet the cast after the performance for photos and autographs. This is family entertainment at its best.
Experience the joy of the season as Jenny Wong, GMCLA’s interim Artistic Director and Associate Conductor of the LA Master Chorale, leads GMCLA in choral classics, timeless Christmas carols, a medley of hits from the beloved film Love Actually, Broadway bonanzas, and Mariah Carey’s anthem – it’s all you’ll want for Christmas. A Los Angeles tradition for the entire family, this concert will be truly Spectacular!
Curated by Performances à la Carte, Jazz ‘n Paz continues with its’ seasonal intimate jazz series showcasing some of Los Angeles’ finest jazz musicians. To ring in the holidays, the December concert, Carols of the Belles, features the vocals of the iconic Barbara Morrison, Jamie Perez, and Renee Myara, at Pasadena’s Neighborhood UU Church. In a jazzy program of standards and holiday favorites, the musicians behind the angelic voices feature Michael Ragonese on piano, James Yoshizawa on drums, Danny Janklow on sax and flute, and Luca Alemmano on bass...A Holiday Champagne Party will follow the concert and may be added to any concert ticket purchase online for an additional $12. The party will feature appetizers, desserts, champagne and non-alcoholic punch along with music, dancing, comedic holiday improv antics and capped off with a Holiday Sing-A-Long.
L.A.’s largest holiday spectacular celebrates its 60th anniversary in 2019 is at The Music Center, Dorothy Chandler Pavilion. Join this year’s co-hosts, internationally acclaimed mezzo-soprano Suzanna Guzmán and actress Marissa Ramirez (Blue Bloods), for this free, three-hour holiday show featuring 25 music ensembles, choirs and dance companies from the many neighborhoods and cultures that make up L.A. Once again, PBS SoCal will host a live broadcast of the event that has been a Los Angeles holiday tradition since 1959, while KCET will air the program twice on Christmas Day.
Legendary Cuban jazz trumpet player Arturo Sandoval, accompanied by his world-renowned band, will kick off this year’s celebration with a medley of holiday songs. Returning favorites include Hālau Keali’i o Nālani & the Daniel Ho Trio, the Gay Men's Chorus of Los Angeles, gospel choir Greater LA Cathedral Choir, Jung Im Lee Korean Dance Academy and folklorico troupe Pacifico Dance Company. Some of this year’s newcomers include Latin folk band Cuñao, the dancers and drummers of African Soul International and a cappella group Street Corner Renaissance.
All-female, two-time GRAMMY award-winning Mariachi Divas de Cindy Shea will team up with their “brother” band Mariachi Espectacular, and Jewish cultural revival band Mostly Kosher will share the stage with Urban Voices Project, a choir made up of men and women surviving homelessness on Skid Row. Those who can't make it to The Music Center on Dec. 24 can watch the live broadcast on PBS SoCal starting at 3 p.m., with the rebroadcast on KCET on Christmas Day from 12 p.m. – 3 p.m. and 7 p.m. – 10 p.m., or online at pbssocal.org/holidaycelebration.