Steven Leigh Morris Resigns as Executive Director of LA Stage Alliance

Morris' resignation letter reflects on his three years as ED and of the successes and struggles along the way.
Though there was no official announcement from LA Stage Alliance, they posted the following on their facebook page early Tuesday morning.
Dear L.A. Theater Community,
Wanted to let you know that on Oct. 29, I tendered my resignation from LA STAGE Alliance, effective Nov. 11. My aim was to wait until after the Ovation Awards nominees had been announced before making this public. (Congratulations to all the nominees.)
Short version: After three years as Executive Director, I feel I've done what I can within the confines of a complicated administrative structure. For this, and for personal reasons, I feel it's time for me to move on and turn the organization over to new leadership.
In three years, I can point to three accomplishments that I'm proud of: First, upon taking the job, in a series of community meetings, I was told that the community needed greater visibility. With the help of LA City's Department of Cultural Affairs and Butcher Bird Studios, we produced a dozen public service announcements promoting local theater, and hosted by local theater makers with name recognition. These are currently being aired on public TV station KCET.
These PSAs refer the public to a new destination website for LA (onstage.la), conceived by LA STAGE Alliance and funded by The Ahmanson Foundation. This website has now launched, and its public facing side is gorgeous, guiding residents and visitors to performances across the region, as well as to arts journalism and local stage reviews. Most of the community interacts with the site's Ovation Awards functions, and developing that side has been far more challenging. For several months, IT Manager Mark Doerr lived somewhere near the seventh circle of hell, trying to resolve the onslaught of glitches. Mark's tenacity has elevated him to somewhere between the first and second circle, as problems continue to be fixed. And he continues to work, to repair, and to rise towards the land of the living. Thank you Mark.
Finally, with the help of The Ahmanson Foundation, NPO Solutions and the Non-Profit Sustainability Initiative (NSI), LA STAGE Alliance has been leading the effort to implement a discount ticketing program for teenagers, based on Teen Tix Seattle. Such a program is vital to bring a new generation of arts-goers to the sector.
I must express my gratitude to the Board of Directors, and for the generosity of Marco Gomez and Jose Luis Valenzuela, whose vision and combined efforts have sustained LASA. Thanks also to Cj, Miriam, Tomas, Mark Seldis, Cathy Carlton; and finally, to Eric Sims and Cricket Meyers, who have been instrumental in keeping the Ovation Awards program clipping along.
The ecology for arts service organizations is even more brittle than it is for arts organizations, and Los Angeles needs a pillar organization that represents the interests of the stage community. I hope you'll continue to support LA STAGE Alliance in that role, as I will.
In the meantime, I'll be turning my professional attentions back towards teaching and to journalism which is my home, via Stage Raw which is my now gangly, pre-teen child.
I'll say more on that from the Stage Raw platform.
Keep the faith,
Steven Leigh Morris


The 2017 STAGE RAW AWARDS: Smiling through the Sh*t-Storm

LA Stage Alliance Executive Director Steven Leigh Morris - photos by S.L. Fife

This past Monday evening, STAGE RAW held its Third Annual Awards ceremony at the Los Angeles Theatre Center in Downtown LA.   There were many memorable moments (of course) , but the one that stays with me involved the actress Kate Morgan Chadwick, who received the award for "Leading Female Performance" for her work in the Echo Theatre production of Bed by Sheila Callaghan.

Dressed in tee shirt and jeans -- "how daringly casual," I thought -- Kate informed the audience that she was in a Whole Foods parking lot earlier that evening when the costume designer Michael Mullen convinced her to head over to LATC for the ceremony.  And now here she was giving an acceptance speech and then being led backstage by a lovely red-headed woman, just as all the other winners had been.  But suddenly Kate detached herself from her escort and began running wildly toward the audience. Then, just as suddenly, she stopped, smiled, turned around, and walked back upstage and off with her red-headed escort.

Yes! Now there's an intimate theater actor!  Easily bored, refusing to conform, alive to the comic possibilities of the moment - that's something I've really fallen in love with here, that fun, unpredictable element which I rarely found anymore in NYC theater, even downtown.  The pressure to get results is simply too oppressive to allow for that improvisatory quality which has characterized great American acting ever since Marlon Brando sank to his knees and screamed, "Stellaaaaaaa!"  That spirit of fun and pain is still alive in LA's 99-seat theaters, but it is under siege now from the actors' own union, now that it has succeeded in wiping out the waiver contract.  A theme that dominated this evening, devoted as it was to the 99-seat or under theater movement in LA.

The ceremonies started with a eulogy, as LA Stage Alliance head-honcho Steven Leigh Morris solemnly lamented the passing of "the Kid" on December 14, 2016.  (Which also happens to be the date on which the 99-seat Waiver contract expired - so draw your own conclusions.)

Then the co-hosts and presenters of the evening took the stage, the married duo of French and Vanessa Stewart.  They are the perfect hosts for an intimate theater event, as they embody that same antic spirit of fun and defiance and non-conformity that Kate Chadwick would later exhibit.  They play beautifully off each other, with French taking the role of head anarchist, lobbing verbal bombs at all the sacred cows of Hollywood and high art, while Vanessa is his sexy co-conspirator, at once appalled and delighted by his crudity, while adding her own more subtle comic riffs to the mix.  I had caught their co-hosting act once before, at the 2015 Ovation awards at the Ahmanson, but this was much better because there seemed to be fewer (if any) institutional restraints.

"2016 was a greasefire shit-show from beginning to end!" French started off.  "First the Stage Actors Union, which had always done okay by me, gets taken over by some assholes with Costco-sized egos who hold a referendum on the waiver contract, get defeated by a count of 2-1 by their own members, and then go ahead and kill our beloved 99-seat plan anyway.  Then Trump comes along and insert your own "dumb-fuck orange-menace" joke here.  And then this confederacy of dunces elects a Republican Congress and Senate, so there's no checks and balances at all on the orange idiot's stupidity and greed.  Yes, just like the founders intended, I'm sure!"

This awards show had been titled "A Wake and Sing," and there was a somber undertone to all the evening's festivities, as so many of the freedoms enjoyed under the 99-seat plan had been lost without having been replaced by any benefits.  Actors were not  making a better wage as a result of Equity's actions; instead, most producers have opted for employing non-Union actors or doing only two-character plays.  In additon, the accessible healthcare and societal stability enjoyed under President Obama has been curtailed or destroyed.  But these harsh realities only made for a more defiant (if darker) brand of humorous song-and-dance, under the supervision of director Jaime Robledo (who directed French a few years ago in Stoneface at Sacred Fools).

It began with the darkest song of all, Stephen Foster's "Hard Times (Come Again No More)," which was followed by Paul Simon's "American Tune," beautifully sung by the noticeably pregnant Claire Riflej, backed up the No Static Trio.  Then French and Vanessa let loose with an antic and irrepressible "Just a Gigolo," with French belting out the lyrics while bouncing around like a kid on a trampoline, backed up by his chanteuse wife, as well as by musicians on saxophone and trumpet.  The singing concluded with Vanessa doing a lovely version of Sondheim's "I'm Still Here," an anthem for the troopers in the audience, who had been through so much in this "shit-show" of a year.  It's hard enough to make good theater under the best of conditions, but add in all the obstacles that 2016 had piled on the intimate theater crowd, and the odds seemed overwhelming.  And yet great theater was still being made - witness LATC's Rules of Seconds, a great new play in a terrific production done in that very same space just a few weeks ago.

There were many genuinely touching moments too.  Steven Leigh Morris returned to the podium to let everyone know that longtime theater director Dan Bonnell was still in a coma but there was hope for his eventual recovery from a stroke, and that donations were needed to cover his hospital expenses. Jerry Charlson, the much-beloved publicist for intimate theaters who has been slowly recovering from a serious heart issue, was given the Queen of the Angels award.  And the husband-and-wife founders of the Victory Theatre Center, Maria Gobetti and Tom Ormeny, were given Lifetime Achievement Awards and made stirring speeches, calling theater "the greatest of the art forms," because "its raw material is the human spirit."

 

Many awards were given out, and I was glad to see the well-deserving actors, directors, designers and playwrights recognized for their remarkable work. Especially intimate theater stalwarts like Matthew Elkins, Jacqueline Wright, Rebecca Gray, Jeffrey Schoenberg, Sophie Bortolussi, Stacie Chaiken, Tony Amendola, Bo Foxworth, John Farmenesh-Bocca (who won two awards for his work on Tempest Redux for The New American Theater at the Odyssey Theatre) and Nancy Keystone, director of the production of the year, Ameryka. The shows receiving multi-awards included Ameryka (Critical Mass Performance Group), Bars and Measures (Theatre@Boston Court), Cloud 9 (Antaeus), Dutch Masters (Rogue Machine), Blueberry Toast (Echo Theatre Company) and The Day Shall Declare It (Wilderness), whose performance space at Santa Fe and Seventh St. has been bulldozed away. Musical of the year went to the Celebration Theater for The Boy From Oz, which was accepted by the always-entertaining Michael A. Shepperd, who kept telling the audience how drunk he was, something that we had already come to realize on our own, thank you very much.

The highlight of the awards ceremony came, without a doubt, when a "most promising actor" award was bestowed upon the greatest of all intimate theater performers, Alan Mandell.   It is an unwritten rule in any evening of Los Angeles theater awards that Alan Mandell has to get one, and this time it came complete with his own troupe of Beckett dancers, who blithely and lugubriously surrounded Alan as he ascended to the stage, while French opened up the honorary Beckett umbrella.  For some reason that escaped me, Alan was bedecked with 99 cent necklaces.  He rewarded the crowd by doing a soft-shoe routine and letting us know that his 90th birthday was fast approaching.  He vowed to fulfill the "promise" that Stage Raw had seen in him, and in general he cheered everyone up.   If Alan could hop, skip and jump at almost 90, then certainly we could all get through these difficult times, right?  But then again, Alan had all that Beckett money to fall back on, accrued from his brilliant turns in Endgame and Godot and all those other money-makers.  Where could the rest of us ever hope to find such a cash cow?

To see a full list of Award Recipients, visit StageRaw.com.


Ovation Award Winners 2016!

Last night was the 27th Annual Ovation Awards hosted by Alexandra Billings and held at the Ahmanson Theatre.
Celebration Theatre had a strong night taking home 7 awards. Looks like taking a bus to the awards was a great idea as the company had a lot to celebrate.
Host Alexandra Billings was a delight and gave a passionate speech about how now is the time to march. She also brought down the house with her rendition of Creep by Radiohead. Executive Director Steven Leigh Morris gave a wonderful speech about empathy. Luis Alfaro had us all up on our feet shouting "I AM". The overall night had a political tone to it, but it wasn't one of hopelessness and desperation. It was a call to action highlighting the transformative power of live theatre.
The winners in each category have asterisks *** by them. Congratulations to all the winners!

Best Season

CELEBRATION THEATRE
Bootycandy
Dream Boy
The Boy From Oz
GEFFEN PLAYHOUSE
Barcelona
Big Sky
Guards at the Taj
In & Of Itself
Outside Mullingar
Sex with Strangers
Stage Kiss
These Paper Bullets! A Modish Ripoff of William Shakespeare's Much Ado About Nothing
Thom Pain (based on nothing)
***LOS ANGELES LGBT CENTER
Fool for Love
HAM: A Musical Memoir
Hit the Wall

Best Production of a Play (Intimate Theatre)

AMERYKA
Critical Mass Performance Group
SPACE
Crooked Arrow Productions
MY MAÑANA COMES
Fountain Theatre
HIT THE WALL
Los Angeles LGBT Center
HONKY
Rogue Machine
CHURCH & STATE
Skylight Theatre Company
***DRY LAND
The Echo Theater Company

Best Production of a Play (Large Theatre)

ENDGAME
Center Theatre Group
THE COMPLETE HISTORY OF AMERICA (ABRIDGED)
Falcon Theatre
BARCELONA
Geffen Playhouse
***GUARDS AT THE TAJ
Geffen Playhouse
MOJADA: A MEDEA IN LOS ANGELES
The Getty Villa & The Theatre @ Boston Court

Best Production of a Musical (Intimate Theatre)

***THE BOY FROM OZ
Celebration Theatre
WE ARE THE TIGERS: A NEW MUSICAL
Heart and Flame Productions
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
Sierra Madre Playhouse

Best Production of a Musical (Large Theatre)

AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
FIRST DATE
La Mirada Theatre for the Performing Arts
***HAM: A MUSICAL MEMOIR
Los Angeles LGBT Center

Best Presented Production

A GENTLEMAN'S GUIDE TO LOVE & MURDER
Center Theatre Group
***1984
The Broad Stage
JANE AUSTEN UNSCRIPTED
The Broad Stage

Acting Ensemble of a Play

ENDGAME
Center Theatre Group
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3)
Center Theatre Group
AMERYKA
Critical Mass Performance Group
***THE COMPLETE HISTORY OF AMERICA (ABRIDGED)
Falcon Theatre
MY MAÑANA COMES
Fountain Theatre
HIT THE WALL
Los Angeles LGBT Center
FLY
Pasadena Playhouse

Acting Ensemble of a Musical

***THE BOY FROM OZ
Celebration Theatre
AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
DREAMGIRLS
La Mirada Theatre for the Performing Arts
EMPIRE
La Mirada Theatre for the Performing Arts
FIRST DATE
La Mirada Theatre for the Performing Arts
I ONLY HAVE EYES FOR YOU
The Al Dubin Musical/Corky Hale
RECORDED IN HOLLYWOOD
Theatre Planners

Choreography

ANNIE YEE
THE GOLDEN DRAGON
The Theatre @ Boston Court
***JANET ROSTON
THE BOY FROM OZ
Celebration Theatre
TASHEENA MEDINA
THE SPARROW
Coeurage Theatre Company
DANA SOLIMANDO
AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
JOHN FARMANESH-BOCCA
TEMPEST REDUX
Odyssey Theatre Company & New American Theatre

Music Direction

BRYAN BLASKIE
THE BOY FROM OZ
Celebration Theatre
PATRICK SULKEN
WE ARE THE TIGERS: A NEW MUSICAL
Heart and Flame Productions
DAVID O
AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
***TODD SCHROEDER
HAM: A MUSICAL MEMOIR
Los Angeles LGBT Center
GERALD STERNBACH
I ONLY HAVE EYES FOR YOU
The Al Dubin Musical/Corky Hale

Book for an Original Musical

ROBERT HULL & CAROLINE SHERMAN
EMPIRE
La Mirada Theatre for the Performing Arts
MO WILLEMS
ELEPHANT & PIGGIE'S: “WE ARE IN A PLAY!”
MainStreet Theatre Company
***MICHAEL SHAW FISHER
SHAKESPEARE'S LAST NIGHT OUT
Orgasmico Theatre Company

Lyrics/Composition for an Original Musical

***REBEKAH ALLEN
WE ARE THE TIGERS: A NEW MUSICAL
Heart and Flame Productions
DEBORAH WICKS-LA PUMA & MO WILLEMS
ELEPHANT & PIGGIE'S: “WE ARE IN A PLAY!”
MainStreet Theatre Company
MICHAEL SHAW FISHER
SHAKESPEARE'S LAST NIGHT OUT
Orgasmico Theatre Company

Playwriting for an Original Play

NANCY KEYSTONE
AMERYKA
Critical Mass Performance Group
STEFAN MARKS
SPACE
Crooked Arrow Productions
JULIE MYATT
JOHN IS A FATHER
The Road Theatre Company
JASON WILLIAMS
CHURCH & STATE
Skylight Theatre Company
ERIK PATTERSON
ONE OF THE NICE ONES
The Echo Theater Company
***LUIS ALFARO
MOJADA: A MEDEA IN LOS ANGELES
The Getty Villa & The Theatre @ Boston Court
JASON WELLS
THE ENGINE OF OUR RUIN
The Victory Theatre Center

Direction of a Musical

***MICHAEL SHEPPERD
THE BOY FROM OZ
Celebration Theatre
OANH NGUYEN
A CHORUS LINE
Chance Theater
BRIAN KITE
AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
NICK DEGRUCCIO
FIRST DATE
La Mirada Theatre for the Performing Arts
BILLY PORTER & KEN SAWYER
HAM: A MUSICAL MEMOIR
Los Angeles LGBT Center

Direction of a Play

ALAN MANDELL
ENDGAME
Center Theatre Group
JOSEPH CALARCO
THE SPARROW
Coeurage Theatre Company
JERRY KERNION
THE COMPLETE HISTORY OF AMERICA (ABRIDGED)
Falcon Theatre
TRIP CULLMAN
BARCELONA
Geffen Playhouse
GIOVANNA SARDELLI
GUARDS AT THE TAJ
Geffen Playhouse
***KEN SAWYER
HIT THE WALL
Los Angeles LGBT Center
KATHARINE FARMER
SEE ROCK CITY
Rubicon Theatre Company

Lead Actor in a Musical

ANDREW BONGIORNO as Peter Allen
THE BOY FROM OZ
Celebration Theatre
JON JON BRIONES as Georges
LA CAGE AUX FOLLES
East West Players
DAVID LAMARR as James Thunder Early
DREAMGIRLS
La Mirada Theatre for the Performing Arts
MARC GINSBURG as Aaron
FIRST DATE
La Mirada Theatre for the Performing Arts
***SAM HARRIS as Multiple Characters
HAM: A MUSICAL MEMOIR
Los Angeles LGBT Center

Lead Actress in a Musical

RACHEL YORK as “Little” Edie Beale/Edith
GREY GARDENS
Center Theatre Group
***MOYA ANGELA as Effie
DREAMGIRLS
La Mirada Theatre for the Performing Arts
BRITTNEY JOHNSON as Lorell Robinson
DREAMGIRLS
La Mirada Theatre for the Performing Arts
ERICA LUSTIG as Casey
FIRST DATE
La Mirada Theatre for the Performing Arts
ALISON LUFF as Charlie Jane
BREAKING THROUGH
Pasadena Playhouse

Lead Actor in a Play

BARRY MCGOVERN as Clov
ENDGAME
Center Theatre Group
STERLING K. BROWN as Hero/Ulysses
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3)
Center Theatre Group
STEFAN MARKS as Kurt Finge
SPACE
Crooked Arrow Productions
RAMIZ MONSEF as Babur
GUARDS AT THE TAJ
Geffen Playhouse
***SAM ANDERSON as John
JOHN IS A FATHER
The Road Theatre Company
ERIK ODOM as Raleigh
SEE ROCK CITY
Rubicon Theatre Company
ROB NAGLE as Charlie Whitmore
CHURCH & STATE
Skylight Theatre Company

Lead Actress in a Play

BETTY GILPIN as Irene
BARCELONA
Geffen Playhouse
***LILY NICKSAY as May
SEE ROCK CITY
Rubicon Theatre Company
ANGELLE BROOKS as Ruth Younger
A RAISIN IN THE SUN
Ruskin Group Theatre Co
STARLETTA DUPOIS as Mama Lena Younger
A RAISIN IN THE SUN
Ruskin Group Theatre Co
KATE MORGAN CHADWICK as Holly
BED
The Echo Theater Company
CONNOR KELLY-EIDING as Ester
DRY LAND
The Echo Theater Company
DANIELLE TRUITT as Camae
THE MOUNTAINTOP
The Matrix Theatre Company

Featured Actor in a Musical

RYAN DRISCOLL as Cain/Japheth
CHILDREN OF EDEN
Cabrillo Music Theatre
LEIGH WAKEFORD as Man #2
FIRST DATE
La Mirada Theatre for the Performing Arts
JUSTIN MICHAEL WILCOX as Man #1
FIRST DATE
La Mirada Theatre for the Performing Art
***STANTON MORALES as Barfee
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
Sierra Madre Playhouse
ELIJAH ROCK as Cab Calloway
I ONLY HAVE EYES FOR YOU
The Al Dubin Musical/Corky Hale
WILKIE FERGUSON III as Jesse Belvin
RECORDED IN HOLLYWOOD
Theatre Planners
MATT MAGNUSSON as Huggy Boy
RECORDED IN HOLLYWOOD
Theatre Planners

Featured Actress in a Musical

NATALIA VIVINO as Yonah
CHILDREN OF EDEN
Cabrillo Music Theatre
KELLY LESTER as Marion Woolnough
THE BOY FROM OZ
Celebration Theatre
***BESS MOTTA as Judy Garland
THE BOY FROM OZ
Celebration Theatrere
JESSICA PENNINGTON as Liza Minnelli
THE BOY FROM OZ
Celebration Theatre
BETTY BUCKLEY as Edith Bouvior Beale
GREY GARDENS
Center Theatre Group
MICHELE SPEARS as Ensemble
SONDHEIM UNSCRIPTED
Impro Theatre
CRISTINA GERLA as Olive
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE
Sierra Madre Playhouse

Featured Actor in a Play

***MICHAEL SHEPPERD as Actor 4
BOOTYCANDY
Celebration Theatre
JAMES GREENE as Nagg
ENDGAME
Center Theatre Group
MICHAEL MCKEAN as Colonel
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3)
Center Theatre Group
LARRY POWELL as Homer
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3)
Center Theatre Group
RAY FORD as Gene Jefferson
AMERYKA
Critical Mass Performance Group
ROBERT GOSSETT as Oz
WATCHING O.J.
Ensemble Studio Theatre/LA
MATTHEW HANCOCK as Carson
HIT THE WALL
Los Angeles LGBT Center

Featured Actress in a Play

***PAULA CHRISTENSEN as Nicky
COLONY COLLAPSE
The Theatre @ Boston Court
CHARLOTTE RAE as Nell
ENDGAME
Center Theatre Group
SAMEERAH LUQMAAN-HARRIS as Penny
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3)
Center Theatre Group
PATRENA MURRAY as Fourth/Odyssey Dog
FATHER COMES HOME FROM THE WARS (PARTS 1, 2 & 3)
Center Theatre Group
ROBIN PEARSON ROSE as Aoife
OUTSIDE MULLINGAR
Geffen Playhouse
SHARON SHARTH as Mrs. Gill
SEE ROCK CITY
Rubicon Theatre Company
VIVIS as Tita
MOJADA: A MEDEA IN LOS ANGELES
The Getty Villa & The Theatre @ Boston Court

Lighting Design (Intimate Theatre)

KARYN LAWRENCE
COLONY COLLAPSE
The Theatre @ Boston Court
***ELIZABETH HARPER
THE GOLDEN DRAGON
The Theatre @ Boston Court
MATTHEW DENMAN
BOOTYCANDY
Celebration Theatre
TIM SWISS
DREAM BOY
Celebration Theatre
ELIZBETH HARPER
AMERYKA
Critical Mass Performance Group
MATT RICHTER
HIT THE WALL
Los Angeles LGBT Center
KATELAN BRAYMER
THE HAIRY APE
Odyssey Theatre Ensemble

Lighting Design (Large Theatre)

JARED SAYEG
ENDGAME
Center Theatre Group
JAPHY WEIDEMAN
BARCELONA
Geffen Playhouse
LAP CHI CHU
GUARDS AT THE TAJ
Geffen Playhouse
DANIEL IONAZZI
OUTSIDE MULLINGAR
Geffen Playhouse
STEVEN YOUNG
AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
MIKE BILLINGS
SEE ROCK CITY
Rubicon Theatre Company
***KC WILKERSON
WICKED LIT 2015
Unbound Productions

Scenic Design (Intimate Theatre)

SARA RYUNG CLEMENT
SEVEN SPOTS ON THE SUN
The Theatre @ Boston Court
STEPHEN GIFFORD
DREAM BOY
Celebration Theatre
JOHN IACOVELLI
KINGDOM OF EARTH
Dance On Productions in assoc. w/Linda Toliver & Gary Guidinger
JOHN IACOVELLI
THE MONEY FI$H
Cox Productions
PETE HICKOK
RIO HONDO
Theatre of NOTE
MICHAEL NAVARRO
MY MAÑANA COMES
Fountain Theatre
***JOHN VERTREES & ERIN WALLEY
DEATHTRAP
Sierra Madre Playhouse

Scenic Design (Large Theatre)

JOHN IACOVELLI
ENDGAME
Center Theatre Group
MARK WENDLAND
BARCELONA
Geffen Playhouse
DEREK MCLANE
BIG SKY
Geffen Playhouse
TOM BUDERWITZ
GUARDS AT THE TAJ
Geffen Playhouse
***TOM BUDERWITZ
CASA VALENTINA
Pasadena Playhouse
MIKE BILLINGS
SEE ROCK CITY
Rubicon Theatre Company
JEFF COWIE
THE CITY OF CONVERSATION
Wallis Annenberg Center for the Performing Arts

Sound Design (Intimate Theatre)

JOHN NOBORI
COLONY COLLAPSE
The Theatre @ Boston Court
***JOHN NOBORI
THE GOLDEN DRAGON
The Theatre @ Boston Court
JOSEPH CALARCO
THE SPARROW
Coeurage Theatre Company
RANDY TICO
AMERYKA
Critical Mass Performance Group
CHRISTOPHER MOSCATIELLO
THE HAIRY APE
Odyssey Theatre Ensemble
DAVID B. MARLING
BIRDER
The Road Theatre Company
MATT RICHTER
A GULAG MOUSE
Sacred Fools Theater Company

Sound Design (Large Theatre)

CRICKET MYERS
ENDGAME
Center Theatre Group
VINCENT OLIVIERI
BARCELONA
Geffen Playhouse
VINCENT OLIVIERI
GUARDS AT THE TAJ
Geffen Playhouse
PHILIP ALLEN
EMPIRE
La Mirada Theatre for the Performing Arts
CRICKET MYERS
I ONLY HAVE EYES FOR YOU
The Al Dubin Musical/Corky Hale
BRUNO LOUCHOUARN
MOJADA: A MEDEA IN LOS ANGELES
The Getty Villa & The Theatre @ Boston Court
***DREW DALZELL & NOELLE HOFFMAN
WICKED LIT 2015
Unbound Productions

Costume Design (Intimate Theatre)

KERRY HENNESSY & LORI MEEKER
WOOD BOY DOG FISH
Bootleg Theater & Rogue Artists Ensemble
ALLISON DILLARD
BOOTYCANDY
Celebration Theatre
***MICHAEL MULLEN
THE BOY FROM OZ
Celebration Theatre
LENA SANDS & SARAH BROWN
AMERYKA
Critical Mass Performance Group
HALEI PARKER
THE HAIRY APE
Odyssey Theatre Ensemble
CANDICE CAIN
THE GLASS MENAGERIE
Sierra Madre Playhouse
A. JEFFREY SCHOENBERG
CLOUD 9
The Antaeus Company

Costume Design (Large Theatre)

MAGGIE MORGAN
ENDGAME
Center Theatre Group
ANN CLOSS-FARLEY
WOMEN LAUGHING ALONE WITH SALAD
Center Theatre Group
DENITSA BLIZNAKOVA
GUARDS AT THE TAJ
Geffen Playhouse
JESSICA FORD
THESE PAPER BULLETS! A MODISH RIPOFF OF WILLIAM SHAKESPEARE'S MUCH ADO ABOUT NOTHING
Geffen Playhouse
KATE BERGH
CASA VALENTINA
Pasadena Playhouse
***CHRISTINE COVER FERRO
WICKED LIT 2015
Unbound Productions
VICKI CONRAD
THE IMAGINARY INVALID
Will Geer's Theatricum Botanicum

Video/Projection Design

***MATTHEW HILL
MAN COVETS BIRD
24th Street Theatre
DALLAS NICHOLAS
WOOD BOY DOG FISH
Bootleg Theater & Rogue Artists Ensemble
STEPHEN EPSTEIN & RON WOOD
SPACE
Crooked Arrow Productions
JONATHAN INFANTE
AMERICAN IDIOT
La Mirada Theatre for the Performing Arts
DAVID GALLO & BRAD PETERSON
EMPIRE
La Mirada Theatre for the Performing Arts
ADAM FLEMMING
WICKED LIT 2015
Unbound Productions
HANA KIM
THE CITY OF CONVERSATION
Wallis Annenberg Center for the Performing Arts

Ovation Honors Recipients

Composition for a Play:

GREGORY NABOURS
THE SPARROW
Coeurage Theatre Company

Fight Choreography:

EDGAR LANDA
THAT PRETTY PRETTY; OR, THE RAPE PLAY
Son of Semele Ensemble

Puppet Design:

GREG BALLORA, SEAN CAWELTI, CHRISTINE PAPALEXIS, JACK PULLMAN, BRIAN WHITE
WOOD BOY DOG FISH
Bootleg Theater & Rogue Artists Ensemble
Recipient of the 2017 Richard E. Sherwood Award
PABLO SANTIAGO