Daniel Faigin

Registered Critic

In the end, am I glad I saw the show? Yes (and not only because I discovered that the Mezzanine seats in the Ahmanson aren’t bad at all). The music has grown on me, and now I understand the story. Perhaps some years down the road a revival of the show may figure out how to adjust the stories to strengthen it. It wasn’t bad. Just not great. It is clearly moving in the right direction.

Daniel Faigin has been regularly attending live theatre since he went with his parents to the LA Civic Light Opera production of "The Rothschilds" in 1972. Since 2004, he has been writing up every live performance that he attends -- theatre and concerts -- on his blog at . In real life, he works as a cybersecurity professional; in addition to theatre, he has a love of the California highway system.