Tom Waldman

Non-Registered Critics

Boss switches from character to character, accent to accent, with astonishing facility and ease. Even with our seatbelts securely fastened—Uprooted uses air travel as a framing device—it can feel as though we are roaming about the cabin, running alongside the actress from one end of the stage to the other...

Jessica Lynn Johnson’s direction keeps the assemblage of fast-moving scenes tight and coherent.