Singing Revolution

Critics

LemonMeter

67 %

Reviews: 3

Audience

LemonMeter

Reviews: 1

“Lift it up, lift it up: we can sing our country free!” Twenty triple-threat performers and a five-piece band will bring an inspirational new musical based on historical events to life this January. Presented by Dreamtone Productions in association with NewYorkRep, the world premiere of Singing Revolution: The Musical sets a tale of star-crossed lovers against the beautiful, moving and timeless true story of Estonia’s 1987 song-filled, peaceful uprising against the Soviet Union. Featuring a crowd-pleasing Europop score by Tony Spinosa, who also directs; book and lyrics by Spinosa and James Bearhart; music direction by Brent Crayon; and choreography by Tracey Benson, opening night is set for Saturday, January 15 on the Main Stage at Hollywood’s Broadwater Theatre, where performances will continue through February 20.

Set in Tallinn, Estonia and spanning four decades, Singing Revolution is inspired by the actual events that led to Estonian independence from the Soviet Union in 1991. The tiny country’s journey to freedom through the power of song acts as a reminder to us all that the power of peaceful resistance can change the world.

“When I first learned about Estonia’s ‘Singing Revolution,’ a light bulb went off in my head,” says Spinosa. “People literally singing as a shield against Soviet attacks is a story I knew I needed to tell.”

“Once word got out that I was working on this musical, TV shows began to approach me for interviews,” he continues. “I was introduced to the Estonian consul in New York City, who connected me with Estonia’s minister of culture in Tallinn. I was able to interview many of the leaders of the Singing Revolution, most of whom are still alive and still living in Estonia. With their help, I began to discover the passion and integrity of the Estonian culture and the heart of this musical’s story.”

“Singing Revolution” is a commonly used name for the nonviolent movement that led to the 1991 restoration of independence of the Baltic states of Estonia, Latvia and Lithuania from the Soviet Union. Starting in 1987, Estonians engaged in a series of mass demonstrations, including spontaneous singing of national songs which were banned during the Soviet occupation. Raising the banned Estonian flag while gathering en masse and singing banned patriotic songs, the movement eventually gained the support of the republic’s ruling Communist Party in defying Moscow, faced down Soviet tanks, and successfully declared Estonian independence.

The musical’s new and exciting Europop score will appeal to anyone who loves K-Pop and the Eurovision Song Contest.

As part of the development process, songs from Singing Revolution: The Musical have been previewed at the John F. Kennedy Center for the Performing Arts, the Estonia 100 Year Celebration in New York City, and the Estonian American National Counsel in Washington, DC. Singing Revolution is sponsored, in part, by the Estonian American National Council.

Performances of Singing Revolution: The Musical take place Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m., January 15 through February 20. There will be two preview performances on, Thursday, Jan. 13 and Friday, Jan. 14, each at 8 p.m. All tickets are $40, except previews, which are $30. The 6320 Santa Monica Blvd, Los Angeles, CA 90038. Proof of vaccination is required for admission. Masks must be worn throughout the performance. For reservations and information, visit singingrevolutionthemusical.com.

Reviews

Adding much Three Stooges type humor to the story are Adam Wylie as the Ghost of Josef Stalin, Anthony Marciona as the Ghost of Vladimir Lenin, and Peter Van Norden as Mikhail Gorbachev. This talented trio poked fun at themselves, their places in history, their major successes and failures, as well as that famous birthmark. Their asides to the audience about what is going on in Estonia generated tons of well-deserved laughter.

sweet - Shari Barrett - Culver City News - ...read full review


As much as I really enjoyed this musical, with an almost 3-hour run time (including one intermission), there is quite a bit of editing which should be done to bring it down to a more reasonable two hours. For as much as the story is intriguing, the staging a dream to behold, and the singers all wonderfully talented, several songs need to be cut or shortened, as well as some of the expressive dance numbers which are beautiful to watch but really serve no purpose to the story other than to give exceptional dancers a chance to shine as featured performers. Note this production takes place in the Broadwater Main Stage theater.

sweet - Shari Barrett - Culver City News - ...read full review


Spinosa and Bearhart have penned 24 numbers all of them exceptionally entertaining and enhanced by Tracey Benson, who supplies some of the most intelligent and original choreography I’ve encountered on a Los Angeles stage in quite a while.

sweet - Ernest Kearney, The TVolution


As much as the Estonians are urged to “stay true,” the musical, so far as I could tell, doesn’t reflect Estonian forms or modalities, not in any way comparable to the way traditional music was incorporated into Fiddler on the Roof, West Side Story, The Most Happy Fella, In the Heights, Zorba, etc. Nor does the musical emphasize Estonian dance or costume, perhaps a wedding scene marginally excepted. Other than ideologically—and even that’s debatable—it’s almost totally deracinated from any Estonian identity, though in a couple of verses the singers do render a few words in Estonian. The drive to score a Europop Broadway commercial hit (that “will appeal to anyone who loves K-Pop and the Eurovision Song Contest,” the promotion states), has resulted in a rousing, but inauthentic mass of platitudes about kindness—or “freedom, love, resilience,” as the musical’s tagline says.

sour - Eric Gordon - People's World - ...read full review


Adding much Three Stooges type humor to the story are Adam Wylie as the Ghost of Josef Stalin, Anthony Marciona as the Ghost of Vladimir Lenin, and Peter Van Norden as Mikhail Gorbachev. This talented trio poked fun at themselves, their places in history, their major successes and failures, as well as that famous birthmark. Their asides to the audience about what is going on in Estonia generated tons of well-deserved laughter.

sweet - Shari Barrett - Culver City News - ...read full review


As much as I really enjoyed this musical, with an almost 3-hour run time (including one intermission), there is quite a bit of editing which should be done to bring it down to a more reasonable two hours. For as much as the story is intriguing, the staging a dream to behold, and the singers all wonderfully talented, several songs need to be cut or shortened, as well as some of the expressive dance numbers which are beautiful to watch but really serve no purpose to the story other than to give exceptional dancers a chance to shine as featured performers. Note this production takes place in the Broadwater Main Stage theater.

sweet - Shari Barrett - Culver City News - ...read full review


As much as the Estonians are urged to “stay true,” the musical, so far as I could tell, doesn’t reflect Estonian forms or modalities, not in any way comparable to the way traditional music was incorporated into Fiddler on the Roof, West Side Story, The Most Happy Fella, In the Heights, Zorba, etc. Nor does the musical emphasize Estonian dance or costume, perhaps a wedding scene marginally excepted. Other than ideologically—and even that’s debatable—it’s almost totally deracinated from any Estonian identity, though in a couple of verses the singers do render a few words in Estonian. The drive to score a Europop Broadway commercial hit (that “will appeal to anyone who loves K-Pop and the Eurovision Song Contest,” the promotion states), has resulted in a rousing, but inauthentic mass of platitudes about kindness—or “freedom, love, resilience,” as the musical’s tagline says.

sour - Eric Gordon - People's World - ...read full review


Spinosa and Bearhart have penned 24 numbers all of them exceptionally entertaining and enhanced by Tracey Benson, who supplies some of the most intelligent and original choreography I’ve encountered on a Los Angeles stage in quite a while.

sweet - Ernest Kearney, The TVolution