An Octoroon

Critics

LemonMeter

Reviews: 1

Audience

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Reviews: 0

The Fountain Theatre presents the Los Angeles premiere of a radical, incendiary and subversively funny Obie award-winning play by MacArthur Foundation “Genius Grant” recipient Branden Jacobs-Jenkins. Performances of An Octoroon will inaugurate the new outdoor stage at The Fountain Theatre on June 11 and continue through Sept. 19.

“An Octoroon” is Jacobs-Jenkins’s outrageous deconstruction of a moustache-twirling melodrama by 19th century playwright Dion Boucicault.

A modern-day Black playwright struggles to find his voice among a chorus of people telling him what he should and should not be writing. He decides to adapt his favorite play, Boucicault’s The Octoroon, an 1859 melodrama about illicit interracial love. The Black playwright quickly realizes that getting White, male actors of today to play evil slave owners will not be easy… so, he decides to play the White male roles himself — in whiteface.

What ensues is an upside down, topsy-turvy world where race and morality are challenged, mocked and savagely intensified. A highly stylized, theatrical, melodramatic reality is created, brutally satirizing racial stereotypes in a funny and profoundly tragic whirlwind of images and dialogue that forces audiences to look at, laugh at, and be shattered by America’s racist history.

An Octoroon runs June 11 through Sept.19, with performances on Fridays, Saturdays, Sundays and Mondays at 7 p.m., except Saturday, June 19, which will be at 5 p.m. and will be followed by a special Juneteenth event. (Dark June 14; June 21; July 30 through Aug. 2; and Aug. 27 through Aug. 30). Tickets range from $25–$45; Pay-What-You-Want seating is available every Monday night in addition to regular seating (subject to availability). The Fountain Theatre is located at 5060 Fountain Avenue (at Normandie) in Los Angeles. For reservations and information, call (323) 663-1525 or go to www.FountainTheatre.com.

Reviews

Director Judith Moreland’s highly-styled staging seems to run the gamut of a myriad of styles, often channeling an off-beat vaudeville revue as well as a modern-day farce and antebellum melodrama. So while I was confused at first about exactly what I was watching, the innovative staging and talented cast certainly filled the lovely outdoor space with a welcome change to challenge my overall comprehension in a myriad of ways. And that is what thought-provoking theatre is all about.

sweet - Shari Barrett - Culver City News - ...read full review


Director Judith Moreland’s highly-styled staging seems to run the gamut of a myriad of styles, often channeling an off-beat vaudeville revue as well as a modern-day farce and antebellum melodrama. So while I was confused at first about exactly what I was watching, the innovative staging and talented cast certainly filled the lovely outdoor space with a welcome change to challenge my overall comprehension in a myriad of ways. And that is what thought-provoking theatre is all about.

sweet - Shari Barrett - Culver City News - ...read full review